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Welcome
Why the Cuatro Project is necessary
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The cuatro´s story
Early Puerto Rican recordings
The Project
Project goals
Personnel
Project accomplishments
The Instruments
The cuatros
Marcelino Quiñones' cuatro
The tiples
Three course tiple: the 'tres"
The bordonúas
Notes on bordonúa tuning & stringing
The vihuela-bordonúa
What happened to the old vihuela?
Other Puerto Rican strings
A jíbaro guitar
The Puerto Rican-Cuban Tres
The Tres in Cuba
The Tres Connection
The Tres in Puerto Rico
The Music
The décima in Puerto Rico
The Round Table
How to compose a décima
The Great Décima Troubadours
The pioneers
Decade of the 30s
Chuito el de Cayey
Decade of the 40s
The 1950 Decade
Toñín Romero
Felita Oyola
The seis
Efraín Vidal: seis samples
Arturito Avilés: seis & aguinaldo samples
Polo Ocasio & Ramón Vázquez seis samples
Prodigio Claudio interprets the seis
Yomo Toro: seis samples
The Decimilla and the Aguinaldo
The Players
Giants of Yesteryear
Norberto Cales
Tuto Feliciano
Tuto's home recordings
Joaquin RIvera, Lefty from Isabela
Maso Rivera
The great Maestro Ladí
Francisco Ortiz Piñeiro
Juan Peña
Yomo Toro
Recordando/Remembering Yomo Toro
The old guard
An interview with Nieves
Pepe Rodriguez
International superstars
Young lions
Artisanry
The Cuatro Makers
Eugenio Méndez
Carmelo Martell
Cristóbal Santiago
Manuel Henríquez Zapata
Miguel Méndez
Public tiple construction workshops
Resources
Links
We recommend
Ecos de Puerto Rico
Teaching resources
Music in 1904 "Porto Rico"
What's New
Cuatro news archive
Cuatro Project news
Recent website additions
The Cuatro Store
Poster: Fruit of our land
Nuestro Cuatro Vol. 1 DVD
Nuestro Cuatro Vol.2 DVD
The Décima de Espinel: CD
¡Caramba!
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